From Idea to Installation
The central material in Freeman’s work is clay. Clay records the touch and spirit of the artist.
To create the work, the properties of steel are used for the armature while clay is used to shape the form. Once the sculpture is resolved in clay, it is transformed into bronze so it can live outdoors.
Other materials are chosen for their beauty, poetry, and durability.
Many of the fountains, memorials, and sculptural environments installed in cities and landscapes across the country began as maquettes on the studio table.
Working at this scale allows for experimentation. A figure may turn slightly. A wing may rise. A relationship between forms can be discovered in the hand before it exists in stone, bronze, or water in the landscape.
Some of these early studies remain singular studio objects. Others are produced in small limited editions.
Each maquette represents a moment in the evolution of a larger idea.
From Studio Study to Public Sculpture
These works offer a rare glimpse into the sculptor’s process—revealing how a gesture or form first emerged before becoming part of a larger public artwork.
While created as working studies, many maquettes stand as complete sculptures in their own right.
Available Studio Works
These bronze works represent explorations for public sculptures as well as independent studio pieces.
A small selection of maquettes and sculptures from Doug’s studio will be available for sale.
Availability of maquettes changes periodically as works are placed in private collections.
For inquiries about specific pieces or editions, please contact the studio.
Muse 1 – Concept Drawing – materials are glass, bronze, water, ceramic tiles, concrete and light
Muse 2 – Concept Drawing – materials are glass, bronze, water, ceramic tiles, concrete and light
Light of the Moon drawing for the Lion’s Fountain - bronze, glass and light
Concept drawing for The Lion’s Fountain – Sketch
Lion's Fountain – Maquette
Sketchbook drawing for the Decorah Fish Hatchery project
Mississippi Guardian Birds – Maquette
Dream Travelers – Clay Maquette
Dream Travelers – Bronze
Decorah Song – Clay Maquette
Decorah Song
Decorah Song
Fountain of the Wind – Maquette
Cincinnati Flying Pig - Clay
Cincinnati Flying Pig – Maquette
Chang Oak - Clay
Minnesota Fire Service Memorial
Shichifukujin – The Seven Lucky Gods
Hotei – Shichifukujin – The Seven Lucky Gods
Bensaiten – Shichifukujin – The Seven Lucky Gods
Bishemon – Shichifukujin – The Seven Lucky Gods
Daikoku – Shichifukujin – The Seven Lucky Gods
Fukurokuju – Shichifukujin – The Seven Lucky Gods
Jurojin – Shichifukujin – The Seven Lucky Gods
Bronze
10½” H × 8” W
Limited Edition
This bronze maquette represents one of the Mississippi Guardian Birds, a series of sculptures created as part of Doug Freeman’s public work along the Mississippi River. The birds serve as symbolic guardians of the river landscape, reflecting its movement, vitality, and enduring presence.
Measuring 10½ inches tall and 8 inches across, the maquette captures the gesture and character of the figure while allowing Freeman to study the form in preparation for the larger sculptures. Cast as a limited edition in bronze, it stands as both a sculptural study and a finished work of art, embodying the spirit of the original installation.
The process for the Mississippi Guardian Birds began with small clay studies, sketches, and research, which led to the development of this maquette. From there, a full-scale enlargement was created in foam, allowing Freeman to refine the form at a larger size. A mold was then made to produce a wax version for the bronze casting process. A similar approach was used for the pieces at the Decorah Fish Hatchery, while other works in Freeman’s practice were developed full scale in clay over a steel armature.